Jane Golley and Linda Jaivin
A ‘moderately prosperous society’ with no Chinese individual left behind — that’s the vision for China set out by Chinese President Xi Jinping in a number of important speeches in 2017. ‘Moderate’ prosperity may seem like a modest goal for a country with more billionaires (609 at last count) than the US. But the ‘China Story’ is a complex one. The China Story Yearbook 2017: Prosperity surveys the important events, pronouncements, and personalitites that defined 2017.
Ivan Francheschini, Nicholas Loubere
According to the Chinese zodiac, 2017 was the year of the ‘fire rooster’, an animal often associated with the mythical fenghuang, a magnificently beautiful bird whose appearance is believed to mark the beginning of a new era of peaceful flourishing. Considering the auspicious symbolism surrounding the fenghuang, it is fitting that on 18 October 2017, President Xi Jinping took to the stage of the Nineteenth Party Congress to proclaim the beginning of a ‘new era’ for Chinese socialism.
Benjamin Penny & Hsun Chang
This book explores how religion is and has been created, transmitted, embodied and changed in specific locations in late imperial, modern and contemporary Taiwan and China. Locating research not only on temples, mosques, churches, schools, tea houses, festival sites, burial grounds and shrines, but also cities, neighbourhoods, counties and districts, it explores the rich, and often overlooked, details that fill the lived experience of people doing religion.
Eds. Jane Golley, Linda Jaivin, and Luigi Tomba
‘More cosmopolitan, more lively, more global’ is how the China Daily summed up the year 2016 in China.
It was also a year of more control. The Chinese Communist Party laid down strict new rules of conduct for its members, continued to assert its dominance over everything from the Internet to the South China Sea and announced a new Five-Year Plan that Greenpeace called ‘quite possibly the most important document in the world in setting the pace of acting on climate change’.
Christian P. Sorace
In Shaken Authority, Christian P. Sorace examines the political mechanisms at work in the aftermath of the 2008 Sichuan earthquake and the broader ideological energies that drove them. Sorace takes Communist Party ideas and discourse as central to how that organization formulates policies, defines legitimacy, and exerts its power. Sorace argues that the Communist Party has never abandoned its conviction that discourse can shape the world and the people who inhabit it.
Shuxia Chen, Carol Yinghua Lu, Liu Ding
Long Live the Glorious May 7 Directive, published in 1971, is one of the key propaganda photobooks of Chairman Mao Zedong’s infamous Cultural Revolution. Illustrated with both color and black-and-white photographs taken by uncredited photographers, the book extolls the virtues of Mao’s communist ideology and purports to document the joyful, industrious effects of these ideas in action.
Ivan Franceschini, Kevin Lin, Nicholas Loubere
Labour and civil society are two fundamental components of international discussions concerning China today. Whether it is the arrest of labour activists or rights lawyers, the adoption of new industrial policies, or the passing of draconian rules on non-governmental organisations, the events occurring in these areas in China often make global headlines. At the same time, in spite of the grave challenges for workers and activists, the Chinese labour movement is witnessing significant developments, with the occurrence of some of the largest strikes in decades.
Igor de Rachewiltz, Li Narangoa
The epic of King Gesar of Ling is the national oral epic of Tibet, sung by itinerant bards in their land for many centuries but not recorded in print until recent times. Spreading widely beyond Tibet, there are extant versions in other languages of Central Asia. The first printed version is from Mongolia, produced on the orders of the Kangxi emperor of the Manchu Qing dynasty in the early 18th century. In the process of transmission, the original saga lost much of its Tibetan flavour, and this Qing edition can be regarded as a genuine Mongolian work.